Our Canon lenses have treated us well over the years. We started with zooms, then upgraded our zooms, then moved to primes, then moved to better primes. The L Series primes were our go to in house kit since 2016, but as time went on we started noticing more and more flaws in the glass that left us wanting more.
As Hidden Woods continues to grow and evolve, we seem to be leaning even harder on our roots in documentary style work. Commercial film production is still draped over the skeleton of story, and I’ve always held that there’s enough stories to be heard that are already out there.
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